Ancient Mediterranean

Digital Project

Ship model

Cat. No.



Late 8th- early 7th c.


Oropos, O.S.K. plot. Area west of Central Quarter's rectangular peribolos.


L: 6.8 cm


Fragmentary terracotta model covered in black glaze in its entirety

Accession Number

ΩΚ/Πε 31


Pérez 2007: 325-327, figs. 11-13

A low guardrail was moulded on the gunwale. The preserved extremity is difficult to attribute as either the bow or the stern. The entirety of the model is covered in black glaze.

EIA Oropos is known from two nuclei of habitation about 700m apart (Mazarakis 1998). The earliest eastern area of occupation (O.T.E. plot) is represented by pottery of LPG to the SPG III date (late 10th-mid 9th century) which shows close affinities with the contemporary ceramic production at Lefkandi. NAA analysis indicates that this locally produced pottery is connected with the clay bed at Phylla near Lefkandi, opening the possibility that the clay was shipped over.1 This area was still (sparsely) occupied during the LG and Archaic periods. The second area to the west (O.S.K. plot) consists of a much more extensive settlement inhabited from the beginning of the LG to the end of the Archaic period (8th-7th centuries), showing a combination of industrial, household, religious, and funerary activities. This area is best known for its extensive industrial quarter, involving varied metalworking activities both inside buildings and in the courtyards outside (iron and bronze secondary working such as casting, fabrication and forging), as well as other artisan practices such as ceramic workshops which were found scattered among the dwellings.

Maritime activities at the site are attested from the central and west quarter which have yielded a bronze fish hook, numerous lead net-weights, and a large amount of sea shells (Pérez 2007: 325, n. 33.). Forty-one different shell species were found in the settlement, with the purple dye murex being amongst the most common. The systematic presence of sea-shells in all areas of the settlement throughout its occupation history indicates that they were used in a variety of ways: as part of the diet, as burial offerings and even as tools. The association of murex shells in relatively large numbers with loom weights suggests that purple dye industry was practiced, albeit on a small scale (Mazarakis and Mouliou 2008). Some of the finds furthermore suggest contacts with the east, such as glass beads, sealstones of steatite, a faience scarab, a scaraboid of red serpentine, and a perfumed bottle in the shape of a monkey. These mostly come from the occupation levels rather than the tombs.

1. It is possible however that the clay beds around Oropos, which are not yet investigated, had a similar chemical composition (Mazarakis and Vlachou 2014).

Oropos undeniably shows strong connections with Euboea and Lefkandi in particular already from the end of PG. This is not only demonstrated by the ceramic repertoire, but also its LG-EA buildings which are quite similar to those from Eretria and Lefkandi (oval and apsidal plans). Mazarakis has further argued that Euboean sites (including Oropos) also share a pattern in the use of household space, which points to a similar social organisation. Finally, an inscribed stone disc dated to the second half of the 8th century found on the threshold of oval building I points to the Eretrian alphabet, as suggested by the way the M is rendered in the inscription which bears the name of its owner, Peithalimos. The evidence is thus fairly clear that Oropos was culturally aligned with Euboea both in PG-SPG (O.T.E. plot) and during the Geometric period (O.S.K. plot). If Lefkandi is to be identified as Strabo's "Old Eretria" (9, 403; 10, 448), Oropos could be seen as an outpost in the PG-SPG periods. In any case, it is clear that the two sites followed a parallel trajectory, and it is interesting that the latest SPG material from O.T.E is contemporary with the PSG IIIa phase at Lefkandi which was the period immediately prior to the abandonment of its cemeteries c. 825. Mazarakis notes that it is probably not a coincidence that the decline of Lefkandi is synchronous both with the foundation of the industrial quarter at Oropos and the foundation of Eretria. A parallel has also been drawn with Pithekoussai which, like Oropos and Eretria, shows that metalworking was a primary activity at the site, while the apsidal buildings Θ at Oropos and Building I at Pithekoussai have been interpreted to have served analogous functions as possible elite dwellings. Mazarakis has suggested that Oropos likely participated in the colonisation west under the aegis of Eretria, while the presence of imported 8th century Silver Slip Ware from Macedonia hints at a similar involvement in the thermaic gulf and Chalkidike (Mazarakis 2012: 80-81; 2007:13, pl. 13β).

A34 Context: This model was found amongst large amounts of sherds in a spot that has been interpreted as a dump where (broken?) objects were thrown off.

Two more boat models dating to the second half of the 6th century were found one inside the other in the west quarter along with a dog and cat figurine. ΩΔ/Πε 24 is nearly complete (L:12 cm; H: 4.2 cm) and similar to boat from the cenotaph, being homogenously painted in red englobe. It has a helm-fin at the stern. ΩΔ/Πε 25 is intact. It has a shallow hull, a vertical stempost with a beaked bow projection and an incurving sternpost. All of the Oropos boat models attest to extensive use of colour (black and/or red englobe). Boat models dating to the end of the 7th century have also been found at the Pastola locality of Pithekoussai, in what has been interpreted as possibly a sanctuary of Hero associated with a hero cult. (d'Agostino 1994-95: 9-108, pls. VIII-XI, XXII-XXIII.).

Pérez, M. A. 2007. “Figurines and Boat Models from the Early Iron Age Settlement at Oropos,” in A. A. Mazarakis (ed.) Oropos and Euboea in the Early Iron Age: Acts of an International Round Table, University of Thessaly, June 18-20, 2004. Volos: University of Thessaly Publications, pp. 319-330.

  • No photo available

    copyright icon © Click for fullscreen