Both ships are identical, with the left one being better preserved. The only small differences are the right one having a slightly narrower stern and an additional set of volutes on the sternpost. Flat hull with ship facing to the right, with posts rising at sharp angles and curving outwards at the ends. The stern is decorated with three to four sets of volutes (probably lilies), while the stem has a water bird perched atop. The major elements of the hull (keel, deckline) are rendered using a double line of enclosing dots. The mast rises amidship and is decorated with bumpy lines that may indicate wooldings. Three dead-eyes. There is a reserved compartment at the bow.

Swedish tomb 3 was partly looted in Byzantine times, with only a small section of the tomb left intact (layer 5). The tomb was used over a very long period of time, dating to LCIB-LCIIC, with a minimum of 15 individuals buried. For well-preserved Enkomi tombs dating to LCI-LCIIC, it has the third largest floor area (7.3 m2) and ranks fourth for wealth in gold. It is also part of six tombs at Enkomi with the largest amount of Mycenaean pottery (54 pots). The concentration of Mycenaean kraters is particularly noticeable, since usually these are found singly or in small numbers (2-4). Besides costly materials and the large number of imports, there also elite symbols such as the figure of eight shield and the poppy head for the ivory pins.

Krater scene: Two identical ships to the right, with four small figures below deck arranged antithetically in pairs, two antithetical warriors on deck and two more on a larger scale framing each ship. The warriors on deck wear helmets and mantles, and carry tasseled and pommeled swords in their scabbards. The warriors framing the ships are dressed in the same manner. Dotted circle decorations below deck and outside. Groups of encircling bands on the lower body.

The ship is at least partially decked. There is no rigging depicted, but the artist supplies evidence to indicate that the boom-footed rig from the mast cap was still in use. The curving sternposts with lily decorations resemble somewhat a stem device on a ship from Phylakopi. There is significant disagreement about the reliability of this artistic representation, with the majority view tending to reject the Enkomi krater as reliable ship architectural evidence (Wedde 2000: 98-99 for discussion). Wachsmann bases his objection on the heraldic arrangement of all the figures, as well as the conventional posture of the men, including those below deck, which suggests artistic considerations rather than an actual depiction of their activity on the ship (Wachsmann 1998: 143). The hull is considered to be altered considerably, and there is also disagreement as to whether this is a merchantman or a warship. Wedde argues that the ships represent a galley, albeit modified somewhat by the artist. The presence of warriors suggests at the very least a mixed function. The elements adorning the warriors resemble those of the warriors depicted on shore of the miniature frieze from Thera.

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